Okenia rosacea

Photo courtesy of Kevin Lee
Photo taken at Shaw's Cove, Laguna Beach, Calif
Okenia rosacea

Hopkins Rose, as it is commonly called here on the Pacific Coast, is a favorite subject of most photographers. This dorid nudibranch is often confused by newbies as an aeolid because of the long thin papillae covering the dorsum. In Kevin's photo here, the typical dorid gill plume is hidden amongst a field of pink papillae.

Some of you remember this species by the name Hopkinsia rosacea , giving recognition to Hopkins Marine Station in Monterey California, where its original describer, Frank Mace MacFarland spent many of his highly productive years of study. Careful analysis of the genus Hopkinsia and the genus Okenia , by Terry Gosliner, revealed that our Hopkins Rose is an Okenia, hence the new name.

Dave Behrens
Gig Harbor, Washington
Feb., 2007

Kevin Lee

Kevin Lee thrives on adventure. For three years he backpacked around the world, visiting over 30 countries, including multiple treks to Mt. Everest Base Camp and to the summit of Mt. Kilimanjaro. Among his memorable experiences he fondly recalls a warm hug from Mother Teresa and meeting the Dalai Lama.

A few years ago, Kevin learned scuba diving and, in order to share the wonders of the ocean with non-diving friends, he took up underwater photography. Kevin is a director with the Orange County Underwater Photographic Society. His photos have been published in calendars, newspapers, magazines, dive literature and numerous dive related websites. When not diving, Kevin is engaged as a business consultant.

Believe it or not, Kevin uses a digital "point-and-shoot" camera, the Olympus C-5060, in a Light & Motion (Tetra) housing, to capture his unique images. He offers this advice: "When shooting macro, I usually have my YS 90-DX strobes pointed at my housing, in order to gently kiss light off the subject, using the outside edge (not inside) of the beam."

Here is an approach you might consider, my photos are super macro, with black backgrounds (not photo-shopped)... to my eye, the black background is much less distracting, highlights the subject and looks "classy"...

First, I always look for a way to shoot the nudi against open water i.e. nothing in the background that would reflect light back... a combo of the fastest shutter speed (1/800 or shorter) and smallest aperture (F8 or higher) achieves the black background...

Doing this also makes the auto focus much easier, since there's nothing in the background for the camera to mis-focus on... still, i must be careful to watch the focus brackets and see where they lock in... ideally the rhinophores... depth of focus is very sensitive so might have to re-focus multiple times (half shutter, release, etc.)...

Then, position of the strobes is critical... first, I decrease strobe power by 50%... doing so yields better image detail... you know about strobe pattern and principle of lighting with the inside edge of the "cone", correct? i.e. not pointing the strobe directly at the subject, but slightly away from it so that the water (and any particulates in it), between the lens and subject are not lighted, thus minimizing backscatter...

However, in super macro, the distance between the lens and subject is so short, there's hardly any risk of creating backscatter, over this slight distance, even in murky waters... rather, the opposite is true... there's high risk of background backscatter being illuminated... this, instead of using the inside edge of the light cone, use the outside edge... think about it a moment... that means the strobes must actually be pointed at the camera body or side of the lens port... so the outside edge of the light cone kisses the subject...

Give it a try and I think you'll be pleased with the results.

Send Kevin mail at klq77@hotmail.com


I want to take this opportunity to thank Kevin for sharing his expertise so the rest of us can become better branch photographers. Once again it is very evident that great nudibranch pictures are not happenstance by any stretch of the imagination! Kevin amply reinforces the three R's of branch photography (1) Know your system well, understand its strong points and weak points (2) Once you have a handle on the operating paramenters of your system, think about how they be best applied underwater within the context of your system (3) Last, but not least, get wet and take lots of pictures!

Puerto Vallarta, Mexico
March 2005

Ali Hermosillo and Dave Behrens

Author: Pacific Coast Nudibranchs and Nudibranch Behavior
Co-Author Coral Reef Animals of the Indo Pacific
Proprietor of Sea Challengers Natural History Books

Send Dave mail at dave@seachallengers.com

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